Jul 30 2026 | By: Terri Jacobson Photography
Katharine folded one thousand paper cranes for this.
Not one hundred. Not several carefully arranged strands supplemented with a little photographic sleight of hand. One thousand individual cranes—folded, strung and transported to Salem so Kitty could travel to 1958 Japan without leaving Oregon.
By now, I should know better than to underestimate what Katharine will do for the Floofy Newfie World Tour. Holland involved wooden shoes, Delft blue, a windmill and a bonnet. Japan arrived with a handwritten dispatch, a hand-quilled card, an elaborate kimono, a formidable obi, traditional shoes, a much-discussed kanzashi flower—and enough origami cranes to make me seriously reconsider the limits of her commitment to this project.
My job was merely to photograph it all as though this were perfectly normal.
Which, somewhere along the way, it apparently became.
I knew Katharine was folding cranes. She had mentioned it more than once, and I understood perfectly well that the final number would be one thousand.
Apparently, understanding a number and seeing one thousand hand-folded cranes arrive at your studio are two entirely different things.
Each crane had been folded from patterned paper, threaded into long strands and transported with extraordinary care. Once they were hanging together, the studio disappeared behind a bright, fluttering canopy of color.
It was magnificent.
It was also the moment I realized that Katharine was not merely planning costumes and props for a series of photographs. She was building an entire world for Kitty to step into.
Kitty took one look at the results, stretched out beneath the cranes and behaved as though having an entire corner of 1958 Japan constructed around her was exactly what she had expected.
Naturally.
Then there was the kimono.
I knew it would be beautiful. I did not understand that getting into it would involve quite so much wrapping, layering, tucking, tying and negotiating with fabric.
The obi—that wide sash around Katharine’s waist—was especially determined to make certain no one mistook this for simply putting on a dress. By the time the kimono was properly arranged and the traditional shoes were on, I had developed an entirely new appreciation for the skill required to look that elegant.
Kitty’s preparations were considerably easier.
She received a beautiful kanzashi flower, accepted the admiration due her and settled comfortably into her role as the best-dressed Newfoundland in Japan.
According to Ooset’s later report, Kitty mentioned the flower often.
Very often.
Once we had successfully transported Kitty to 1958 Japan inside the studio, we packed up the parasol, map, flags, cranes and one beautifully dressed Newfoundland and headed for the bamboo forest.
The first attempt was rained out.
Because apparently one thousand hand-folded cranes, an elaborate kimono and a dog willing to wear a kanzashi flower were not enough to guarantee cooperation from Oregon in June.
We returned a few days later and found exactly what Katharine had described in her letter: towering bamboo, quiet green paths and little pockets that felt far removed from the busy world outside.
For a few hours, an Oregon garden became Japan.
Katharine carried the parasol and looked entirely delighted with the adventure. Kitty carried the responsibility of looking magnificent—until she decided the expedition required a brief lie-down.
I followed behind with my camera, documenting the journey while trying not to think too hard about what would happen if anyone dropped the map.
They dropped the map.
Well—not literally. But it proved spectacularly unhelpful.
Katharine consulted the map.
Stephen attempted to determine which direction it should be facing.
Kitty disappeared behind it entirely.
Routes were traced, landmarks were sought and the map was turned several times—each direction apparently less useful than the last. At some point, it became less a navigational aid and more an extremely large paper curtain concealing one increasingly skeptical Newfoundland.
Eventually, Kitty emerged, Stephen lowered the map and the expedition continued using the time-honored travel method of pointing confidently and hoping for the best.
I’m fairly certain Kitty knew where she was going all along.
Judging by the photograph enclosed with her report, Ooset had already seen quite enough—and still had several things to say.
Dispatch Kyoto, Japan July 7, 1958
Japan began with one thousand paper cranes and ended with Ooset filing her own report from Kyoto.
By then, the Floofy Newfie World Tour had become far more than a series of photographs. There were handwritten dispatches, handmade works of art, elaborate costumes, increasingly opinionated travelers—and stories beginning to unfold beyond anything we had planned.
You can see Kitty’s complete journey through 1958 Japan in the official dispatch, or return to the beginning and follow the Floofy Newfie World Tour from its very first stop.
I thought I knew where the travelers were headed next.
I did not.
Provence was waiting—with lavender fields, a young artist known as Antonio and a love story none of us saw coming.
But I’m getting ahead of myself.
Until the next dispatch, I’ll be behind the camera—following the floof and watching the story unfold, one wonderfully unexpected adventure at a time.
Terri
Official Pupparazzi
The Floofy Newfie World Tour
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